Although I’m not
traditionally a fan of ghost stories, what with being a susceptible fool who is
easily spooked, I ended up reading Tiffany Murray’s latest novel Sugar Hall in
almost a day… as I just couldn’t put it down.
Loosely based on the
spooky Littledean Hall near the Forest of Dean, the Sugar Hall of the title is
a grandly imposing, and reputedly ugly, old stately home built by the fortunes
of the Sugar family – who made their money via the equally ugly businesses of
sugar trading and slave purchasing. With centuries of grisly stories embedded
in its walls and surrounding woodland, the latest inhabitants of the Hall are
Lilia Sugar and her two children Saskia and Dieter.
Lilia is the widowed
wife of Peter Sugar, who was the final surviving descent of the Sugar family.
As such, their young son Dieter Sugar is now the only living heir to the
crumbling Sugar empire. Lilia and her children have inherited the freezing Hall in Peter’s
will, and with fate not on their side, they’re forced to up sticks from their
cosy London flat and move down to the chilly, alienating old house to see if
they can make it home.
Despite warnings from
various locals who know the hold the Hall has over the Sugar sons… and despite
the chilling stories Dieter tells her of the boy with the silver collar who he
finds around the place… Saskia militantly remains rooted to the Hall, trying
her best to make it work for her two children.
But as the months
pass, creepy event after spooky encounter stack up… and everything comes to a
head.
Tiffany Murray’s
writing style is engaging, and after only two or three chapters I was
gripped and literally couldn’t put the book down all day, not until I had found
out how it all worked out. She paints such a vivid description of the hideous
Hall and its world that I was desperate to see a real picture for myself, to
see if the image I’d painted in my head matched the actual Hall. But it is her
creation of the manipulative and sad slave boy, who himself suffered at the
hands of a former Sugar master, that is truly at the heart of Sugar Hall.
Sugar Hall is up there
with Helen Dunmore’s The Greatcoat as one of the two finest contemporary ghost
stories I’ve read in recent years.
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